For me, amplifying material means finding ways to listen to what an object is already doing
Kategoria: English
Nozom Yoneda / Nonturn – Even after I’ve lost everything, I’ll still have music
My own process is quite analog. Generally, I go out on foot and record my material
Colin Potter – I was willing to try unusual method
I like that very much. It’s always hard to decide when something is finished
Thirty Years Against the Grain – On Confront Recordings and Beyond
Thirty years of Confront Recordings is not an anniversary steeped in nostalgia, it is rather proof…
The Taps of the Holy Trinity – We are creating something beyond ourselves
The idea of music as a kind of ritualistic, trance-inducing magical or ceremonial act is something
Ángeles Rojas – I am interested in making the inaudible audible
I like to explore acoustic phenomena that require time, stillness, and subtlety.
Guillaume Cazalet (Neptunian Maximalism, ZAÄAR) – The notion of time stretch interests me greatly
But when people talk about the body, they usually imagine the physical side of sound
bela – I am like a clay, I do not yet know where or what I am
Have you ever felt so ugly, but called beautiful by many kind friends? Beauty is not…
Rún – Animus takes over
I am very lucky to be able to bring certain artistic yearnings into the Rún community
Eleonora Kampe – Voice as an instrument
Experimental music can be a way to step aside from our forced reality
Australijska scena według Timothy K Brown / Burgan Triangle Tapes
To w żadnym razie nie jest kompletna ani reprezentatywna lista australijskiej muzyki eksperymentalnej
Thighpaulsandra – I don’t think creative freedom should have any boundaries
I don’t have many boundaries or taboos in my life generally
Wukir Suryadi – From improvisation to documenting
Noise can lead to a deep understanding of anything according to each person's imagination
P/O Massacre & Tomorrow I Feel Wrong – Witness Wounds
The album was created during a three-week artistic residency at the Marburg Theater Neben dem Turm
Mabu Li – 10 + 1 Chinese Music 2025
There is no such thing as the Chinese “scene”, but 2025 is a big year for…
Ilajan – What feels fragile can be a quiet form of resistance
Our music always comes from an emotion, what a memory makes us feel
Galeria: Hilal Can
Jej twórczość artystyczna jest kształtowana przez osobiste doświadczenia życiowe i wewnętrzne podróże
Karen Willems – I need room for a little noise and a little imperfection
I believe improvisation truly exposes you
Zu – Apocalypse is misunderstood
The name kind of fell on us. All of a sudden it was clear that our…
4. rocznica ANXIOUS – prośba o wsparcie
Świętujemy 4. urodziny ANXIOUS w sieci! Dzięki zaangażowaniu naszej redakcji i Waszemu zainteresowaniu, opublikowaliśmy już 3 000…
4th Anniversary of ANXIOUS – Request for donation
We’re celebrating ANXIOUS magazine’s 4th anniversary online!
Arigto – It feels natural to us to write visual music
The duo Arigto, currently operating between Berlin and Tokyo, has been developing their own musical language…
RuinsZu – Jazz Is Dead Live
The album consists of 12 tracks, which start with Gravestone and end with Solar Anus, providing…
XIX – Obłęd
What sets XIX apart is that, while it also seems grounded in improvisation, it's so minimal…
ROJI – Tsunami Deluxe
ROJI means "garden" in Japanese and is one of the many projects of the incredibly prolific…
Thor & Friends – Heathen Spirituals
The entire album is a brilliant requiem for the sick times we live in
ZÖJ – The sounds are shaped by memory and feeling
The name ZÖJ is rooted in Persian. It literally means pair, duo, or couple, which made…
Crooked Mouth – My journey is marked by my music
I have never invited someone play in Crooked Mouth just because they could perform an instrument,…