bela – I am like a clay, I do not yet know where or what I am

Have you ever felt so ugly, but called beautiful by many kind friends? Beauty is not…

Rún – Animus takes over

I am very lucky to be able to bring certain artistic yearnings into the Rún community

Eleonora Kampe – Voice as an instrument

Experimental music can be a way to step aside from our forced reality

Australijska scena według Timothy K Brown / Burgan Triangle Tapes

To w żadnym razie nie jest kompletna ani reprezentatywna lista australijskiej muzyki eksperymentalnej

Thighpaulsandra – I don’t think creative freedom should have any boundaries

I don’t have many boundaries or taboos in my life generally

Wukir Suryadi – From improvisation to documenting

Noise can lead to a deep understanding of anything according to each person's imagination

P/O Massacre & Tomorrow I Feel Wrong – Witness Wounds

The album was created during a three-week artistic residency at the Marburg Theater Neben dem Turm

Mabu Li – 10 + 1 Chinese Music 2025

There is no such thing as the Chinese “scene”, but 2025 is a big year for…

Ilajan – What feels fragile can be a quiet form of resistance

Our music always comes from an emotion, what a memory makes us feel

Galeria: Hilal Can

Jej twórczość artystyczna jest kształtowana przez osobiste doświadczenia życiowe i wewnętrzne podróże

Karen Willems – I need room for a little noise and a little imperfection

I believe improvisation truly exposes you

Zu – Apocalypse is misunderstood

The name kind of fell on us. All of a sudden it was clear that our…

4. rocznica ANXIOUS – prośba o wsparcie

Świętujemy 4. urodziny ANXIOUS w sieci! Dzięki zaangażowaniu naszej redakcji i Waszemu zainteresowaniu, opublikowaliśmy już 3 000…

4th Anniversary of ANXIOUS – Request for donation

We’re celebrating ANXIOUS magazine’s 4th anniversary online!

Arigto – It feels natural to us to write visual music

The duo Arigto, currently operating between Berlin and Tokyo, has been developing their own musical language…

RuinsZu – Jazz Is Dead Live

The album consists of 12 tracks, which start with Gravestone and end with Solar Anus, providing…

XIX – Obłęd

What sets XIX apart is that, while it also seems grounded in improvisation, it's so minimal…

ROJI – Tsunami Deluxe

ROJI means "garden" in Japanese and is one of the many projects of the incredibly prolific…

Thor & Friends – Heathen Spirituals

The entire album is a brilliant requiem for the sick times we live in

ZÖJ – The sounds are shaped by memory and feeling

The name ZÖJ is rooted in Persian. It literally means pair, duo, or couple, which made…

Crooked Mouth – My journey is marked by my music

I have never invited someone play in Crooked Mouth just because they could perform an instrument,…

Catherine Graindorge – Sound is, above all, breath, emotion

Today, it's music that brings me the most satisfaction. I can play the violin and the…

Katarina Gryvul – I enjoy playing with contrasts

I feel that Spomyn is more cohesive than Tysha — it’s narrower in its dynamics but…

Frederikke Hoffmeier – The Girl With a Needle

I think it was around the year 2000 when I came across the Dead Cities tape…

Wojciech Rusin – Wherever the wind takes me

Where is Wojciech Rusin? He lives in London, but our conversation quickly moves to the West…

Golem Mecanique – Art is Golem’s blood

I am quite sensitive and very influenced by mysticism, occult and nature

Louie Lou – The idea of eternity possessing sound

When I lived in the countryside for many years, I spent a lot of time in…

Aja Ireland – I’ve always been drawn to the extremes of sound

Cryptid is an album that sits in the space between emotional detachment and deep, raw feeling.

Cruel Nature Records – Nature can be both breathtakingly beautiful and relentlessly harsh

On and off, I've spent over 30 years immersed in underground music, always embracing a DIY…

Backworld – Melodies are like a spiritual thread or vine

American Backworld is definitely one of the most important representatives of the neofolk scene